Dear John:
This is hard for me. I'm trying to be objective, but where you're concerned, I'll always have trouble.
I always stop when One Crazy Summer (including last night and I like to think you got to hit that pre-implant Demi Moore) or Better Off Dead is on cable. I want my two dollars is a common saying. I know way too much about the black Camaro Monique helped you fix up. I bought Tapeheads because that was the only way to see it. I saw Anastasia just because you were a voice.
That kind of foolish devotion, should give me the right to ask one question:
What the hell happened to you?
Where's the cute, quirky, off-beat funny kid I had my first man crush on from The Sure Thing?
Two horror movies in a row? Did you have some kind of falling out with your agent? I don't care if you are in 1408 with the coolest motherfucker on the planet, you can't follow up Identity with another horror flick. Even if Stephen King did write the short story it's based on.
C'mon, Lloyd Dobler. Where's the underdog, unconventional hero we all fell in love with? Even when you were stealing scenes from Rob Lowe and Anthony Michael Hall, it was obvious you were destined for greatness.
You get a free pass for Serendipity because you just wanted to work with Mr. Piven. But Must Love Dogs? Even if you do get Diane Lane in the end, it couldn't have been worth it. If you have to go Leading Man for the cash, don't do it formulaic. Remember Gross Pointe Blank? You can do Leading Man and action. You stole Con Air. Playing a cop no less.
And don't get me started on America's Sweethearts. But if I could get paid to be Catherine Zeta-Jones's former lover, I might have to do it even if the script sucked. And I like to think that you hit that during High Fidelity.
I'm sorry no one saw Max. But, c'mon, Private Gibson, how popular did you think a movie about Hitler was going to be? One that wasn't a musical anyway.
I cut you slack even though you seemingly get rained on in every movie. Say Anything was set in Seattle so that's understandable. Isn't it getting a little cliche not to mention miserable to film? You break up and then get rained on while you stand in the street and pine for the girl. We get it. You're feeling low. Lose the rain machine next time.
Did you peak too soon? Grifters and Being John Malkovich are hard to top. Maybe you're just going commercial to raise some cash for a pet project you've got going ala Medellin? Maybe that's it, call Piv for a quick role in Entourage.
Please, John, come back to us. Do something deep and funny and great again. A little angst, a little self doubt, some nuanced acting and a few wisecracks and you'll be back on top. You've still got it in you.
I hope.
This is hard for me. I'm trying to be objective, but where you're concerned, I'll always have trouble.
I always stop when One Crazy Summer (including last night and I like to think you got to hit that pre-implant Demi Moore) or Better Off Dead is on cable. I want my two dollars is a common saying. I know way too much about the black Camaro Monique helped you fix up. I bought Tapeheads because that was the only way to see it. I saw Anastasia just because you were a voice.
That kind of foolish devotion, should give me the right to ask one question:
What the hell happened to you?
Where's the cute, quirky, off-beat funny kid I had my first man crush on from The Sure Thing?
Two horror movies in a row? Did you have some kind of falling out with your agent? I don't care if you are in 1408 with the coolest motherfucker on the planet, you can't follow up Identity with another horror flick. Even if Stephen King did write the short story it's based on.
C'mon, Lloyd Dobler. Where's the underdog, unconventional hero we all fell in love with? Even when you were stealing scenes from Rob Lowe and Anthony Michael Hall, it was obvious you were destined for greatness.
You get a free pass for Serendipity because you just wanted to work with Mr. Piven. But Must Love Dogs? Even if you do get Diane Lane in the end, it couldn't have been worth it. If you have to go Leading Man for the cash, don't do it formulaic. Remember Gross Pointe Blank? You can do Leading Man and action. You stole Con Air. Playing a cop no less.
And don't get me started on America's Sweethearts. But if I could get paid to be Catherine Zeta-Jones's former lover, I might have to do it even if the script sucked. And I like to think that you hit that during High Fidelity.
I'm sorry no one saw Max. But, c'mon, Private Gibson, how popular did you think a movie about Hitler was going to be? One that wasn't a musical anyway.
I cut you slack even though you seemingly get rained on in every movie. Say Anything was set in Seattle so that's understandable. Isn't it getting a little cliche not to mention miserable to film? You break up and then get rained on while you stand in the street and pine for the girl. We get it. You're feeling low. Lose the rain machine next time.
Did you peak too soon? Grifters and Being John Malkovich are hard to top. Maybe you're just going commercial to raise some cash for a pet project you've got going ala Medellin? Maybe that's it, call Piv for a quick role in Entourage.
Please, John, come back to us. Do something deep and funny and great again. A little angst, a little self doubt, some nuanced acting and a few wisecracks and you'll be back on top. You've still got it in you.
I hope.
3 comments:
Man crushes are hot.
Yeah man, what happened!?!?
You forgot "The Journey of Natty Gahn" God! Your man crush can't hold a candle to my wo-man crush! LOL!
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